Monday, November 2, 2009

Available

Carlito Bragonti
24" x 36" x 2". enamel, acrylic and screen print on stretched canvas. Autumn Sunrise with Jenevieve 713.

60" x 30" x .75". enamel, acrylic and screen print on stretched canvas. Cityscapes in Montage with Jenevieve 713 and Destroy & Rebuild.

36" x 24" x 2". enamel, acrylic, and screen print on stretched canvas. Phantoms with Destroy & Rebuild.

24" x 48" x 2". enamel, acrylic, and screen print on stretched canvas. Muse with Destroy & Rebuild.

40" x 14" x .75". enamel, acrylic and screen print on stretched canvas. White with Destroy & Rebuild.

24" x 30" x .75". collage, enamel, acrylic and screen print on stretched canvas. Untitled with Jenevieve 713.

20" x 16" x .5". enamel, acrylic and screen print on stretched canvas. Candy Rain with Jenevieve 713.

24" x 36" x .5". acrylic, enamel, and screen print on stretched canvas. State of Mind with Jenevieve 713.

16" x 20" x .5". acrylic, enamel, and screen print on stretched canvas. Silver Star Street with Jenevieve 713.

30" x 36" x.5". acrylic, enamel and screen print on stretched canvas. Right in the Middle with Jenevieve 713.

36" x 24" x .5". enamel and acrylic screen print on stretched canvas. Elevators with Jenevieve 713.

16" x 20" x .5". enamel, acrylic screen print on stretched canvas. Manhattan Holiday.



Destroy Rebuild
30" x 40" x .5" paper, rust, acrylic screen print on stretched canvas. Old New York Royal with Jenevieve 713.


Billy Russomano
24" x 48". acrylic paint on unstretched canvas. Home Is Where The Art Is.

38" x 34". acrylic paint on unstretched canvas. Brooklyn Bridge Sunset.

34" x 38". acrylic paint on unstretched canvas. Retro Piaggio Poster



Cristian Vargas
36" x 24". Mixed media and screen print on unstretched canvas. Untitled with Jenevieve 713.

12" x 12" x 3". Oil and acrylic screen print on stretched canvas. Untitled with Jenevieve 713.

20" x 24" x 2". mixed media layered collage. Untitled.



Jenevieve 713
24" x 36" x .75". enamel and acrylic screen print on stretched canvas. Untitled with Destroy & Rebuild.

acrylic, enamel and screen print on unstretched canvas. Untitled with Carlito Bragonti.

40" x 30" x .5". acrylic screen print on stretched canvas. Another CMYK with Destroy & Rebuild.


graphite, acrylic, conte, and screen print on unstretched canvas.
What Yall with Carlito Bragonti.

acrylic, conte, and screen print on unstretched canvas.
Three Miles from the Ocean with Destroy & Rebuild.

28" x 40". Acrylic screen print on paper. CMY Study #2 with Destroy & Rebuild.

acrylic, oil enamel, and screen print on unstretched canvas. Untitled.

8" x 10" x .5". paper decoupage on stretched canvas. fabric collage a.


acrylic, conte, and enamel on unstretched canvas.
A View From Here.


20" x 8" x .5". Decoupage, acrylic, and oil on stretched canvas.
Diptych on Starr St.

26" x 26" x Acrylic, enamel, screen print on unstretched canvas. 2 am 2nd ave.

Thursday, October 22, 2009

Paintings Past


28" x 33". acrylic, graphite, enamel, and screen print on unstretched canvas.
Study in Collage A.


24" x 36" x .5". Acrylic, enamel, and screen print on stretched canvas.
Untitled.

24" x 36" x .5". acrylic, enamel and screen print on stretched canvas. untitled.

24" x 36" x .5". Decoupage, acrylic, enamel, and screen print on stretched canvas. Central Ave.

enamel, acrylic and screen print on unstretched canvas. Untitled.

acrylic and screen print on unstretched canvas. Twilight


24" x 24" x .5". enamel and acrylic screen print on stretched canvas.




24" x 24" x .5". Enamel, acrylic and screen print on stretched canvas.
14th to the West.



24" x 36" x .5". Enamel and acrylic on stretched canvas.
Autumn Skys





Fresher Mural. Landscape by Jenevieve, figures by Cece. On display at The Suffolk.



38" x 41". acrylic, enamel, and screen print on unstretched canvas.
#3 in Color.




8" x 10" x .5". oil enamel, acrylic, and screen print on stretched canvas.
Down to Tribeca.




24" x 36" x 1.5". Acrylic, oil, and screen print on stretched canvas.
Up to Union.




28" x 33". acrylic, enamel, and screen print on unstretched canvas.
A Study in Collage B.



acrylic, and screen print on unstretched canvas.
Church St to Washington St.



18" x 24" x .5". Acrylic, oil, and screen print on stretched canvas.
Pacific City.


32" x 28". Acrylic, oil, and screen print on unstretched canvas.
Gray Table
.


26.5" x 39.5". Acrylic Screen Print on unstretched canvas.
Palette #3.



24" x 36" x .5". enamel, acrylic, and screen print on stretched canvas.
Purple Town.



36" x 30" x .5". enamel and acrylic screen print on stretched canvas. Pale Faces with Destroy Rebuild.



36" x 24" x .5". acrylic screen prints on stretched canvas. Study in Collage.



24" x 30" x .5". acrylic and enamel on stretched canvas. Purple with Destroy Rebuild.



36" x 24" x .5". Paper, acrylic, oil, and screen print on stretched canvas. with Destroy Rebuild.



30" x 72". enamel and acrylic screen print on unstretched canvas. Pre School with Destroy and Rebuild.



38" x 41". acrylic, enamel, and screen print on unstretched canvas. Florescent Lamp.




24" x 36" x 1.5". Acrylic, oil, and screen print on stretched canvas. Coming from Two Sides.



30" x 40". Acrylic screen print on unstretched canvas. CMY with Destroy Rebuild.



36" x 24" x .5". enamel and acrylic screen print on stretched canvas. The City is...



20" x 16" x .5". acrylic, enamel, and screen print on stretched canvas. Pool Side.



20" x 20" x .5". acrylic on paper decoupage on stretched canvas. Iced cube.



18" x 36" x .5". acrylic, enamel and screen print on stretched canvas. Trading Places.



24" x 33" x .5". latex, enamel, and acrylic screen print on stretched canvas. Lime Green. 2009.



24" x 36" x .5". acrylic, screen print and oil on stretched canvas. Starr Street. 2009.



24" x 36" x .5". enamel and acrylic screen print on stretched canvas. Virtuosity with Destroy Rebuild. 2009.




25" x 37". enamels ans acrylic screen prints on unstretched canvas. View From Lafayette Gardens.


24" x 48" x .5". Enamel, acrylic and screen print on stretched canvas. Toxic Towers with Destroy Rebuild.


24" x 18" x .5". enamels and acrylic screen print on stretched canvas. From The Top.


36" x 24" x .5". acrylic and oil enamel on stretched canvas. The First Day of Summer.


20" x 16" x .5". enamel, oil, and acrylic screen print on stretched canvas. Brooklyn Nights.


16" x 20" x .5". acrylic, enamel, acrylic screen print on stretched canvas. the Fuller Building.


24" x 36" x 3". enamel and acrylic screen print on stretched canvas. Little Italy.



24" x 30" x 3". Enamel and acrylic screen print on stretched canvas. Green Birds.


Saturday, September 19, 2009

New York International

Earlier this summer while doing the sidewalk art gallery in SoHo, I happen to meet this other artist Cris, it's his first time out here. Like me, Cris is enterprising, he has this idea to sell in the Meat Packing District; I immediately agree that it's a great idea because SoHo is over saturated with 'artists'. For the past 2 months now, Cris and our collective have been steadily setting up on the corner of Washington St and 13th St. Other SoHo artists have ventured up to display art in the new locale but none have stuck it out like we have.


 This past week while checking out the updates on Luna Park and Becki Fuller's RWK Street Post, I noticed that D*Face has done an installation on the wall we hang our paintings on to sell. Initially, I was flattered that this London based street artist came to America and installed on this wall; supplying us with a colorful backdrop or some active space for when there is not much art to sell. After hanging the day's exhibition this morning I thought it was a bit overwhelming with the abundance of color and activity but it's the street and change is good. The energy was great out there, paintings were selling, some clients stopped by to view the new work and people asked about the new 'graffiti mural' behind the display and I let them know it was D*Face and that his art is currently on view at the Jonathan Levine Gallery. Sometime in the afternoon while I'm away from the job, a man comes by interrogating Cris as to what was going on with our Art display; claiming that we are defacing the D*Face mural, we are wrong and that we have no right to do so. The truth is that Dick Face did his mural without consent from the building owners. Cris has actually recieved the approval of the building owners to display our Art leaning against the building or temporarily attached to the building. 

This is when the day gets ugly. Dick Face lovers begin to arrive in small droves giving us nasty comments and disapproval without asking us questions and based on a pretense I do not know the origins of or the terms of. One couple, with an English accent, told me I was wrong for destroying his mural because he came all the way from London to do it.  I explained that this mural just arrived earlier this week, we have been displaying here for the past 2 months and that the exhibition comes down before sunset. They were not satisfied. They believed that D*Face owned the right of displaying his composite stencil mural.



Authority and ownership are dangerous. I immediately found a reason to now dislike D*Face. Not only because of the response of his aficionados but because I believe he or someone representative of he sent these people to harass us. Their statements were not logic. The logic of the situation is that D*Face did graffiti on a wall that had graffiti on it already. So he has disrespected other graffiti writers. The rule in graffiti is that these writers now have the authority to go over D*Face's graffiti. Those are the rules from the 1970s until today. So where are the aficionados of the artist that came before D*Face? This all sounds silly and childish but it is what it is. The graffiti movement that began in NYC and spread over the world is based on that rule; so whether you agree or not you have to respect it or deal with the repercussions of not respecting it by those who still uphold the foundation of an element of their culture (let us not forget that graffiti is an element of hip hop which is the identifying culture of the black hispanic american). New York City is our community. We might be asked to stop setting up our art display because we seemingly inspired a large scale piece of vandalism. That wall has been in the same condition for about 3 months, then 2 months after we are displaying there a huge graffiti mural is applied. In New York City graffiti is a Felony and it is not taken lightly by the Police or by the Vandal Squad(a special task force which focuses on prosecuting graffiti artists). We call it art, they call it a crime. Cris, 624713, and other NYC artists who have displayed on that corner with us are bringing a live art community to the area yet we do not condone vandalism. We must now explain to the building owners that we did not inspire this graffiti on your wall and when people ask about the mural I no longer know who that artist is or where you can see more of his work.